Today’s the day! Over the next two months, I will be co-directing a play with a seasoned director, and the auditions are tonight and tomorrow night. I have done my homework by reading and re-reading the script many times. I’ve studied the characters and their motivations and come up with a list of verbs describing each one. The theatre’s designer has come up with a beautifully simplistic set that will give the actors a space in which to explore their various roles and actions and emotions.
The play is The Spoon River Project, which is made up of poems excerpted from Edgar Lee Masters’ early twentieth century American classic Spoon River Anthology. Citizens of the fictional town Spoon River speak from their graves, remembering, inspiring, preaching, ruing, accusing, and confessing. There have been numerous adaptations of the anthology for the stage over the past hundred years. This one is by Tom Andolora. He chose a representative sampling of the graveyard’s characters, and importantly, he researched and included some period songs that the actors will perform.
Mr. Andolora also uses one of my favorite theatre techniques. Each actor plays multiple roles. They do three or four, in fact. By careful use of small costume pieces and physical changes, the actors will have to differentiate each character, and they will have to make it believable.
The space will be bare, befitting a graveyard, with a few movable benches, and room is even being made on the stage for audience seating. There will be a small ensemble of musicians to accompany the cast in the songs. The only props will represent what the individuals have taken with them to the grave. They will make use of shawls, vests, and other small items of clothing.
The process of directing is not absolutely new to me, but I am a novice. I have directed before, and in that play, the actors were also called on to delve into different characters. I revel in seeing a good craftsman make the necessary adjustments in a second to change from one role to another. When it’s done well, it makes me squirm in my seat.
I have already mentioned reading the play multiple times to really feel it. I searched and found what I believe may be a through line or what’s also called a plot line. The great twentieth century American director Harold Clurman dubbed it the spine. It’s a simple word or phrase or very short sentence describing the central theme of the piece. I like to pick words from the actual script for this note when possible. The through line does not have to be communicated to the actors, but it informs all the director’s choices.
This script is full of wonder. The poems are alive with active verbs that make imagining staging it a joy. The anthology is a pleasure to read for its own sake. Mr. Andolora did not choose my favorite poem, so I will include it here.
I WOULD I had thrust my hands of flesh
Into the disk—flowers bee-infested,
Into the mirror-like core of fire
Of the light of life, the sun of delight.
For what are anthers worth or petals
Or halo-rays? Mockeries, shadows
Of the heart of the flower, the central flame
All is yours, young passer-by;
Enter the banquet room with the thought;
Don’t sidle in as if you were doubtful
Whether you’re welcome—the feast is yours!
Nor take but a little, refusing more
With a bashful “Thank you”, when you’re hungry.
Is your soul alive? Then let it feed!
Leave no balconies where you can climb;
Nor milk-white bosoms where you can rest;
Nor golden heads with pillows to share;
Nor wine cups while the wine is sweet;
Nor ecstasies of body or soul,
You will die, no doubt, but die while living
In depths of azure, rapt and mated,
Kissing the queen-bee, Life!
The speaker, Edmund Pollard, wishes he had dived into all that living had to offer, and he implores the hearers to do so. He speaks of flesh, alluding to bees’ stings, and fire and light. To those of us above the graves, he commands we attend the banquets and feasts that lie before us. Let us feed! Love and intimacy take their places, too. Finally, he returns to bees and their kissing sting of life.
I am living today. I am excited at my new adventure in theatre starting tonight. Life moves me, and I take joy in it.